Very early in Undone, Alma (Alita: Fight Angel’s Rosa Salazar) whines over the mundanity of her life: her commute to function, her ho-hum task, the choice in between 2 sorts of beans at the food store.
After that, she sees a vision of her dead dad, accidents her car, and shows up time take trip power. Yet this isn’t a superhero beginning story. The “adventure” she discovers herself knotted in isn’t something she requested for– nor is it something she wants to take up.
She’s powerless. Every activity is beyond Alma’s control, every choice made by somebody who is not her, a style in her life that prolongs beyond her newly found powers and capacities.
This absence of control is the core of Undone, which uses psychedelic rotoscoping computer animation to illustrate a story of this world and outside it.
While the core of the program’s story revolves around the question of control, the emotional core revolves around whether or not Alma will turn towards her friends and family or away from them– and similarly, whether the people in her life will certainly make the selection to be there for her, also if they can not potentially comprehend what she’s experiencing. The psychedelic computer-animated sequences are spectacular, but the show’s greatest paybacks originate from quiet minutes in between Alma and also individuals she’s closest to. Sometimes the magic is concealed in the mundane.
